Aamir Khan and Pritam’s last collaboration was not exactly a
masterpiece. But with what looks like a winner from the “Chillar Party”
director, let us see what Pritam has in store for us this time.
“HAANIKAARAK BAPU”
is a lyrical as well musical gem which oozes with creativity. Everything about
this song seems apt. Firstly, Pritam dishes out a very catchy Rajasthani folk
tune topping it with a rock feel. The tune itself along with the arrangements
is a winner.
Secondly, the two singers – Sarwar Khan & Sartaz Khan
Barna are fabulous. Be it their perfectly-in-tune rendition or their prose
portions, they are terrific. The chorus portions are very good too.
But the real winner of the song is Amitabh Bhattacharya. Listen
to every single word of the song carefully and you will realize what potential
he has. His lyrics are awesome. They are highly humorous and very innovative. You
can’t help but marvel at his witty words. They make you smile at times, laugh
out loud at times and even break into a guffaw. With a correct mix of hindi and
Hariyanvi words, this one is one of his best written songs till date.
“DHAAKAD” is
one hell of a track. The word “Dhaakad” comes from the word “Dhaak” which means
a lasting impression / personality. And this track is indeed a dhaakad one.
The lyrics are mindblowing. Pritam does a wonderful job by
roping in Raftaar. He infuses so much attitude into the track. For me, this
song contains rap better than all the rap songs to have come out in bollywood
till date. Plus this one is super trippy. Also, the entire attitude of the song
goes so well with the theme of the film that one can’t help but fall for this
track.
There is another version where Aamir Khan comes behind the
mic. The perfectionist he is, Aamir starts off pretty well. He almost matches
in intensity, accent and attitude with Raftaar. But somewhere in the middle, he
himself starts enjoying a bit too much, and by the time the track ends, he
sounds a little too enthusiastic. It seems as if he is deliberately trying not
to smile and deliver rap with a straight face.
But overall, he does a pretty decent job with the rap. And ditto
for his flawless hariyanvi accent throughout the track.
“GILEHRIYAAN” –
There are certain words which when used in Hindi songs, evoke an altogether
different feeling.
“Gilehriyaan” is one such word. I mean, how does Amitabh Bhattacharya come up
with such lovely ideas?
This is a song of a free spirited girl singing to herself. With
a lovely and lilting melody, Pritam creates a sweet and magical tune. His biggest
achievement lies in extracting an award winning performance from Jonita Gandhi.
It is high time we give more recognition to this much underrated singer in
bollywood. She sounds pitch perfect. There is a very comforting factor in her
voice which immediately puts you at ease. Be it the initial verses or the high
pitched antaras, she is flawless.
But once again, the lyricist steals the show. This guy is a
genius. He writes such amazing stuff. Below are few of the best lines from the
song –
“Ek nayi si dosti,
Aasmaan se ho gayi,
Zameen mujhse jalke
munh banaake bole
Tu bigad rahi hai.
Zindagi bhi aaj kal,
Gintiyon se oob ke
Ganit ke aakdon ke
saath ek aadha
Sher padh rahi hai.”
“IDIOT BANNA” is
a wedding song. The word “Banna” traditionally means “husband”. It also means a
traditional folk song sung by the ladies of the groom’s side. This song seems
to be just that.
With a very beautiful mix of folk and contemporary sounds,
Pritam creates a very hummable and instantly catchy tune. The Nooran sisters
are in superb form. They are a bit restrained than few of their recent songs
and they sound really good.
Amitabh bhattacharya writes some hilarious lyrics which
should make for some enjoyable picturization on screen.
Overall, this one is a situational track but even as a
standalone audio song, it is a well made track.
The way Arijit Singh starts “NAINA”, one is immediately reminded of “Accha chalta hoon,
duuao mein yaad rakhna..”
But the similarities end there. What follows is a lyrically
superior song with a gorgeous composition by Pritam. What lovely instruments he
uses – sitar, harmonium, duff, and the guitar. As if the tune wasn’t magical
enough, we have Arijit who delivers nothing but sheer brilliance. He sounds amazingly
good.
As for the lyrics, the use of the word “Mrig Trishna” is
proof enough of how good Amitabh is.
“DANGAL (TITLE
TRACK)” is the best song of the album. There is no doubt about that. And
it is Daler paaji’s show all the way.
After a pretty high pitched overdose of him in “Mirzya”,
Daler Mehndi is top notch here. His voice seems the perfect choice for such a
song. It is his vocals which uplift the song and give us a rousing feeling.
But the icing on the cake is Pritam’s AWESOME arrangements. The
brilliant guitars in the beginning or the frenzied drums throughout the song
are superb. But the best thing about the song is the choral rendition of the
lines – “Re Lath gaad doon, Re Jaada paad doon.” It is this particular portion
that gives the required goosebumps. Plus, Pritam’s masterstroke lies in the
difference in the rendition of this portion. While the initial portion is
chanted without any tune, the same lines are chanted in tune during the later
stage of the song.
This song should make for some stunning visuals onscreen.
OVERALL,
creating an album for a theme based movie is a difficult task. We had a similar
film on wrestling few months ago for which Vishal – Shekhar gave us a very good
soundtrack. Where Pritam goes ahead is the way he creates more situational
music. While “Sultan” had good music, most of the songs were contemporary and
less of situation – based. But “Dangal” is different. Given the kind of
perfection Aamir Khan expects, it looks as if Pritam has completely lived up to
his as well as our expectations.
Almost all the tracks are situational. And yet, every single
song is a gem – be it in terms of singing, arrangements or lyrics.
Amitabh Bhattacharya deserves accolades for this work of
his.
As for Pritam, he is on a roll. He delivers one of his
career best albums here. Way to go!
MY RATINGS – 9 /
10
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