Skip to main content

BOOK REVIEW : SHE - EKLA CHOLO RE

Sometimes simplicity is all that is needed to touch the heart. The more uncomplicated a story, the better it penetrates within.

Santosh Avvannavar and Shayan Haq pen this poignant short story called "SHE - EKLA CHOLO RE" which can be easily finished off in a single sitting of about half an hour and yet move you.

PLOT

Set in the 1990s, this story revolves around 2 characters- renowned Dr Rajendra Mukherjee and a female called Kusum. The authors delicately talk about homosexuality and gender changes and how stupidly the society reacts to such things.

At one point, the authors write- "Real love and truth go together."
I couldn't help but agree to what they wrote.

The entire Bengali setup is very beautifully done. The overall plot is pretty simple - a man giving a lift to a lone lady on the highway. But what follows is very beautifully penned.

There are simple things which touch the heart - Kusum getting reminded of her own mother on meeting Raj's mother, Kusum remarking at how all men think alike and about the same thing.

What struck me was the ease with which the authors conveyed a very important message.
"YOU ARE WHAT YOU CHOOSE TO BE." - such a beautiful line.

Also, Rabindranath Tagore helps make the story into an even more beautiful one with his immortal poems.

There is one more line that I loved. It is relevant even today in any random scenario - "It is very natural for a person to get attracted to the opposite sex on hearing to his/her emotional story."

OVERALL, this is a very well written story. Uncluttered, uncomplicated and inundated with simplicity, this is a must read for everyone.

Comments

Popular posts from this blog

TANU WEDS MANU RETURNS : MY THOUGHTS

THIS POST CONTAINS SPOILERS. IT IS TO BE READ ONLY IF YOU HAVE WATCHED THE MOVIE. IT IS NOT EXACTLY A REVIEW. IT CONTAINS THOUGHTS ABOUT HOW I LIKED THE MOVIE. IT IS LONG AND CONTAINS QUITE SOME IMAGES. Few facts we learnt from Tanu Weds Manu Returns – 1.      Southhall mein logon ke ghar ke baahar kacchhe sookhte hain. 2.      Tharki logon ki pasandeeda kitaab hain “LOLITA” 3.      “TILANDI” means “VANISHED” 4.      Tanu saves her husband Manu’s number in her phone under the contact name “HUSBAND” 5.      Delhi ka aadha pollution aashiqon ki wajah se hain. 6.      “JHAND” means “DESTROYED” 7.      “PEEPNI” means … “Bachpan mein buddha hota than a neeli aankhon waala, jisse pichkaao toh         aawaaz aati thi PEE PEE” 8.      Pappi ki colony ki do nikkar wali ladkiyon ne use propose ...

BARFI! - MY THOUGHTS (A PICTORIAL RECOLLECTION)

Indian cinema has always had a strong desire to portray disabilities on screen. While 99% of such films are dull and message oriented, there are a few directors who prove that such people don’t always mean gloom. And so we have Anurag Basu taking us in the life of Murphy. For three hours he transports us into a world which is literally a fairy tale. Such is the beauty of the final product that I actually felt like not leaving the cinema hall; staying a little more in Barfi and Jhilmil’s world. Have you ever felt irritated by the beginning credits of a film? The ones which go like – “Special thanks to…”, “Media partners”, “Publicity partners“, and the names of thousand other brands which might have played a miniscule role in the film? But in Barfi, you never realize when all that finished. Reason? “PICTURE SHURUUUU…. HO GAYI PICTURE SHURU….” This was innovation at its cinematic best. Swanand Kirkire’s witty and apt lines in his own voice make us rapt with attent...

MY REVIEW OF "THE SCAM 1992-THE HARSHAD MEHTA STORY"

  (CONTAINS SPOILERS) (The images have been taken from Sumit Purohit's twitter timeline.) I remember being enthralled right from the day the teaser of this web series was released – A star from our Gujarati film industry was making his debut as a lead actor in a BIG web series. What followed was an excruciating wait before the series finally released on 9 th October. The rest, as they say, is history! "SCAM 1992 – THE HARSHAD MEHTA STORY" is a masterpiece in all aspects – be it the writing, the dialogues, the direction, the performances or the music. It is very difficult to find faults in such a perfectly made series. Padma Shri Sucheta Dalal & Debashis Basu's book is converted into an extraordinary screenplay by Sumit Purohit and Sourav Dey. The amount of research is evident – I can imagine the number of months or even years that must have gone behind writing the script, dialogues, finding locations, obtaining permissions and most importantly, recreating...