Skip to main content

BOOK REVIEW : THE BRIDAL PYRE - NAINAM DAHATI PAVAKAH




There are few novels which grab your attention when you simply read the synopsis given on its back page. There are few synopses which promise you something awesome but fail to deliver. And then there are few synopses which promise you a strong plot.

“THE BRIDAL PYRE” is one such captivating novel. Written by debutante Avantika Debnath, this one is a brilliant one.

PLOT
Written in first person, the novel describes the story of Meera Debnath, an independent and educated working woman who hails from a Bengali background. With an army background, she is everything you would find in a self made woman of today.

An online matchmaking site conversation leads to her getting married to a Bengali guy residing and “working” in USA. Ignoring all the warning signs displayed in front of her eyes in BIG BOLD letters, she goes ahead and marries the guy and his conservative family.

Little did she know that this would be the biggest mistake of her life. Post marriage, she realizes that the family is nothing what she had expected. A coward husband, a wretched father in law, horrible relatives and the worst possible mother in law – all make her life one living hell.

She is forced to demand money from her parents. She is ridiculed and insulted for every small thing she does. She is mentally tormented, emotionally drained, and finally the unthinkable happens. With a baby inside her womb, she falls down the stairs, with no one even moving to help her get up as she lay bleeding.

How she avenges her unborn baby’s death forms the crux of this novel.


WRITING

With a plot as strong as this, one has to make sure the writing doesn’t disappoint. Avantika Debnath makes sure this doesn’t happen. She never beats about the bush and is outrageously honest and frank. 

The language is kept simple but the detailing is superb. Every single thing she describes feels as if it is in front of your eyes.

She discloses the glaring loopholes in our country’s domestic, judiciary and socio – economic systems without the slightest of diplomacy. There is a sense of helplessness which prevails during the entire period of Meera staying at her husband’s place – a helplessness so real and frightening that you feel like shouting to her – “Please get out of this family.”

Avantika also clears a common misconception that only illiterate or culturally rooted rural women fall prey to such post marital problems. Even the educated women are forced to suffer, due to their cultural upbringing, the sanskaars inculcated by their parents and the feeling that “It will soon be okay. Just a little more.”

The final portion of the book where Meera vows to get back and avenge her child’s death is also wonderfully written. Once again, there is that feeling of hopelessness as everyone including the 
police officials, media, NGO’s, lawyers refuse to help her. Her indomitable spirit is the only thing with her. Even her parents have given up hope. But as they say, hope comes in small packets.

Here, avantika triumphs once again by not following the familiar filmy path where all of a sudden our judicial system turns into a saint, the judge punishes the guilty and the protagonist lives happily ever after. NO! what is not bound to happen, will not happen. But as they say, God is the biggest judge. Slowly we start acknowledging the smartness of Avantika as “TIT FOR TAT” happens. Life is a full circle, and that is what happens here. And so, we have an ending which hardly seems contrived, but is very much real and believable. That is this book’s biggest strength. Kudos to Avantika for that.


OVERALL,  “THE BRIDAL PYRE – NAINAM  DAHATI PAVAKAH” is a brilliant novel. It is real, agonizing, eye – opening, heart wrenching and a must read. Way to go Avantika! If looks could kill, you would do a great job. But if writing could kill, you would prove massively fatal!

HIGHLY RECOMMENDED for every single Indian.


                                                            nainam chindanti sastrani
nainam dahati pavakah
na cainam kledayanty apo
na sosayati marutah

The soul can never be cut into pieces by any weapon, nor can he be burned by fire, nor moistened by water, nor withered by the wind.

Comments

  1. Thanks for the the review.....I have been in similar suitation but was blessed to understand the person during courtship period and marriage was called off.
    But for this I was labelled as mentally unstable

    ReplyDelete

Post a Comment

Popular posts from this blog

TANU WEDS MANU RETURNS : MY THOUGHTS

THIS POST CONTAINS SPOILERS. IT IS TO BE READ ONLY IF YOU HAVE WATCHED THE MOVIE. IT IS NOT EXACTLY A REVIEW. IT CONTAINS THOUGHTS ABOUT HOW I LIKED THE MOVIE. IT IS LONG AND CONTAINS QUITE SOME IMAGES. Few facts we learnt from Tanu Weds Manu Returns – 1.      Southhall mein logon ke ghar ke baahar kacchhe sookhte hain. 2.      Tharki logon ki pasandeeda kitaab hain “LOLITA” 3.      “TILANDI” means “VANISHED” 4.      Tanu saves her husband Manu’s number in her phone under the contact name “HUSBAND” 5.      Delhi ka aadha pollution aashiqon ki wajah se hain. 6.      “JHAND” means “DESTROYED” 7.      “PEEPNI” means … “Bachpan mein buddha hota than a neeli aankhon waala, jisse pichkaao toh         aawaaz aati thi PEE PEE” 8.      Pappi ki colony ki do nikkar wali ladkiyon ne use propose ...

BARFI! - MY THOUGHTS (A PICTORIAL RECOLLECTION)

Indian cinema has always had a strong desire to portray disabilities on screen. While 99% of such films are dull and message oriented, there are a few directors who prove that such people don’t always mean gloom. And so we have Anurag Basu taking us in the life of Murphy. For three hours he transports us into a world which is literally a fairy tale. Such is the beauty of the final product that I actually felt like not leaving the cinema hall; staying a little more in Barfi and Jhilmil’s world. Have you ever felt irritated by the beginning credits of a film? The ones which go like – “Special thanks to…”, “Media partners”, “Publicity partners“, and the names of thousand other brands which might have played a miniscule role in the film? But in Barfi, you never realize when all that finished. Reason? “PICTURE SHURUUUU…. HO GAYI PICTURE SHURU….” This was innovation at its cinematic best. Swanand Kirkire’s witty and apt lines in his own voice make us rapt with attent...

MY REVIEW OF MIRZAPUR SEASON 2

I was a late entrant into the "Mirzapur" weries. Even though it arrived 2 years back, I watched it only a couple of months back during the lockdown. I finally gave in to the immense pressure around, and I couldn’t resist seeing what was so great about the show which led it to become the most successful series in India. And hence, I started watching the first episode of season 1. Shuru majboori mein kiye they, par baad mein jo majaa aaya, I can't describe that. I realized that the hype around the show was totally justified. Also, the makers ended season 1 on such a cliffhanger that it was imperative for everyone to wait so eagerly for season 2. PLOT, DIRECTION & WRITING As I started watching season 2,I slowly realized a few things. This season was way different from the previous one. Gone was the rawness and loudness. The amount of violence shown also seemed much less. Things seemed much more mature. My thoughts were only strengthened as I progressed further.  Season 2...