Skip to main content

MUSIC REVIEW : TALAASH




It has happened only once in the last eleven years that a movie by “Excel entertainment” has had a full soundtrack by someone other than Shankar – Ehsan – Loy (Unless You count the guest compositions by medival punditz in Don and Karthik calling Karthik). And it was for the film “Honeymoon Travels Pvt. Ltd.” whose music was by Vishal – Shekhar. Now it happens a second time that someone else replaces the regular trio for Excel, and it is Ram Sampath. Coincidentally both these movies have been directed by Reema Kagti.

“MUSKAANEIN JHOOTHI HAIN” is a typical thriller song. With slow beats and a superb tune, it is the sultry voice of Suman Sridhar which makes this song sheer brilliance. Everything about the song reminds us of those thrillers of the 1980’s. And with a video featuring Kareena Kapoor “Khan” (And her extra bright lipstick), this song is sure to become a sure shot hit. There is something very addictive about it. In one word, it is “Slow poison”. Kudos to Ram Sampath for the overall arrangements.



“JEE LE ZARAA” sees Vishal Dadlani doing the singing. He rocks, and HOW! This one is tailor made for Dadlani. He gets every note perfect. His slightly rough yet brilliantly melodious voice has done wonders many a times (Rehem O karam, for example), and this song is no different. The instrumentation of the song is brilliant, especially that guitar (?) loop which is heard in the interludes.



“JIYA LAGE NA” finally brings that singer whom I was waiting for. Sona Mohapatra begins the song with a beautiful unplugged rendition before the beats kick in. Sona who sang the awesome “Rupaiya”, “Chanda pe dance” and “Ghar yaad aata hai” in Satyamev jayate is again nothing short of awesome here too. She deftly sings the classical portions. Aiding her is the melodious Ravindra Upadhyay who was the winner of Airtel [V] Super singer. He too is very good. The beat of the song is exactly similar to Ram’s own song “Karie karoon” from the film “Let’s talk” and the recent “Nadiya” from Nitin Sahwney’s coke studio episode. Javed akhtar’s lyrics are superb.
Overall, this one is a very well done fusion number, the best of the soundtrack.



“HONA HAI KYA” finally sees the composer don the singing hat. I have always loved his voice, be it “Tere Siva” (Delhi belly) or his songs from “Satyamev Jayate”.
This one is a typical thriller song, one which you would expect to be played in the background during some high adrenaline chase scene. Overall, I found the tune a bit outdated. It is a tune which has been moulded into a song many a times. That said Ram brings about a lot of subtle “harkatein” in the tune. Also his singing coupled with the racy and loud background beat make sure that the overall product turns out to be quite good. This one is not in league with the other 4 songs of the album, but is definitely good stuff.



“LAAKH DUNIYA KAHEIN” is a soft rock number sung very well by Ram. Javed Akhtar’s lyrics are very good, and Ram’s singing is top notch. With a running time of six minutes, this one is a beauty to listen and doesn’t seem long at all. It is melodious and well sung by Ram, be it the unplugged portions or the “Tum nahin ho” chorus portions. Ram’s voice suits songs of such genre wonderfully well.



OVERALL, this is a perfect album for a thriller like Talaash. The overall mood of the album is somber and dark as far as most songs are concerned, but we do find slight un-dark-ness in the form of “Laakh duniya kahein”.
Over the past years, Aamir khan has always been very particular regarding the music of his movies. Here again he proves that the music of his latest movie won’t not disappoint the listeners. It belongs to a totally different genre sans the dance and romance stuff. If you were expecting an album like “3 idiots”, you are in for disappointment. This one is not for you. THIS IS A THRILLER. The mere presence of songs in a thriller is a big thing, and if those songs are good and well placed in the movie without hampering the continuity, it is an added achievement.

Final word?
Talaash is dark, classy and superior stuff from Ram Sampath. For a man who is in the industry since the last 15 years, it is a pleasure to see him finally getting his much awaited due. This one is a hattrick successful album for the Ram Sampath – Aamir Khan jodi after Delhi Belly and Satyamev Jayate.

MY RATINGS – 8.5 / 10

For those who missed it, my review of satyamev jayate (The album) - Read HERE 


Comments

Post a Comment

Popular posts from this blog

TANU WEDS MANU RETURNS : MY THOUGHTS

THIS POST CONTAINS SPOILERS. IT IS TO BE READ ONLY IF YOU HAVE WATCHED THE MOVIE. IT IS NOT EXACTLY A REVIEW. IT CONTAINS THOUGHTS ABOUT HOW I LIKED THE MOVIE. IT IS LONG AND CONTAINS QUITE SOME IMAGES. Few facts we learnt from Tanu Weds Manu Returns – 1.      Southhall mein logon ke ghar ke baahar kacchhe sookhte hain. 2.      Tharki logon ki pasandeeda kitaab hain “LOLITA” 3.      “TILANDI” means “VANISHED” 4.      Tanu saves her husband Manu’s number in her phone under the contact name “HUSBAND” 5.      Delhi ka aadha pollution aashiqon ki wajah se hain. 6.      “JHAND” means “DESTROYED” 7.      “PEEPNI” means … “Bachpan mein buddha hota than a neeli aankhon waala, jisse pichkaao toh         aawaaz aati thi PEE PEE” 8.      Pappi ki colony ki do nikkar wali ladkiyon ne use propose ...

BARFI! - MY THOUGHTS (A PICTORIAL RECOLLECTION)

Indian cinema has always had a strong desire to portray disabilities on screen. While 99% of such films are dull and message oriented, there are a few directors who prove that such people don’t always mean gloom. And so we have Anurag Basu taking us in the life of Murphy. For three hours he transports us into a world which is literally a fairy tale. Such is the beauty of the final product that I actually felt like not leaving the cinema hall; staying a little more in Barfi and Jhilmil’s world. Have you ever felt irritated by the beginning credits of a film? The ones which go like – “Special thanks to…”, “Media partners”, “Publicity partners“, and the names of thousand other brands which might have played a miniscule role in the film? But in Barfi, you never realize when all that finished. Reason? “PICTURE SHURUUUU…. HO GAYI PICTURE SHURU….” This was innovation at its cinematic best. Swanand Kirkire’s witty and apt lines in his own voice make us rapt with attent...

MY REVIEW OF MIRZAPUR SEASON 2

I was a late entrant into the "Mirzapur" weries. Even though it arrived 2 years back, I watched it only a couple of months back during the lockdown. I finally gave in to the immense pressure around, and I couldn’t resist seeing what was so great about the show which led it to become the most successful series in India. And hence, I started watching the first episode of season 1. Shuru majboori mein kiye they, par baad mein jo majaa aaya, I can't describe that. I realized that the hype around the show was totally justified. Also, the makers ended season 1 on such a cliffhanger that it was imperative for everyone to wait so eagerly for season 2. PLOT, DIRECTION & WRITING As I started watching season 2,I slowly realized a few things. This season was way different from the previous one. Gone was the rawness and loudness. The amount of violence shown also seemed much less. Things seemed much more mature. My thoughts were only strengthened as I progressed further.  Season 2...