In the beginning of 2012, he composes a peppy album for
Dharma productions.
Few months later, he composes another beauty for the yashraj
banner. (Read my music review of ishaqzaade HERE)
He is a gujarati mind you. And yet he composed a fantastic
score for English Vinglish with a lovely Marathi wedding song. (Read my music review HERE)
As if that wasn’t enough, he composed a parody by the name
of Aiyyaa where again he tried his hands at Marathi (Lavni) and even south Indian
music. The results were fairly engaging and highly innovative.
And now he goes PUNJABI for “Luv shuv tey chicken khurana”.
PHEW!
So many diverse languages and he still gives something
different everytime. LSTCK is no different. As always with anurag kashyap, here
too the album is amazing.
“KIKLIKALERDI” is
a kind of game small girls play. It is somewhat similar to those “Ringa ringa
roses” type games. Imagine a song out of that, and that too when amit trivedi
is at the helm of the affairs. Don’t imagine. You will run out of it. Such is
the song. It is brilliant. The “Kiklikalerdi” loop by Pinky Maidasani is
superb. Amit trivedi is bang on as usual. With satirical lyrics by Shelle
depicting Heer ranjha, the song is total madness. Add to that the addictive
dholaks and the flute portions. If you thought this was enough, we have Yo Yo
honey singh doing some rap portions with some really naughty lyrics. Picture
this –
“Agar ho koi anhonee, toh tu khaa liyo pill,
Main tera raja
hoon, tu meri rani hai,
Baby suraksha hi saavdhaani hai.”
The beginning portion of “MOTORWADA” reminds me of some song (From the OST of Hangover
maybe, though can’t place it). This song is another typical AT offering. While
Amit trivedi impresses with his hariyanvi singing portions, it is Tochi Raina
who steals the show with his super singing. But the USP of the song is its
lyrics – hilarious. Ever heard the sound of someone spitting in typical desi style “Aaakthoo” in a song?
This one is another beauty with its weird background
arrangements.
After two typical AT songs, we have a song which is as simple
and as “Un – Trivedi” as it can get. “LUV
SHUV TEY CHICKEN KHURANA” is the best song of the soundtrack. And what make
it awesome are its simplicity and again, the brilliant lyrics. This is a song
describing the pyaar – bhara bickering between a husband and wife. While the
wife threatens to go to her “Maayke”, the husband in true romantic style tries
to woo her. The soft tabla that plays in the background in almost the entire
song and the dholak beats towards the end are lovely.
Harshdeep Kaur and Shahid Mallya are tailor made for this
song. Their rendition is very genuine and pure. I hope the song gets an equally
romantic picturization in the movie. This one is going to linger in my mind for
a long time.
“LUNI HASI” is
sung by Harshdeep Kaur. Right from the beginning, this song is instantly
reminiscent of Dev D. the electric arrangements, the beats are nicely done. But
what makes the song worth is Harshdeep’s rendition. She sings this one
brilliantly.
The song has another male version sung by Devender Singh
(Yes, Lata mangeshkar’s favorite sardar from India Idol, and the singer of
NIRMOHAYA from Coke Studio).
And this version is equally good. Only thing I wish Devender
improves his style of pronouncing the syllable “S” (Hear it again to know what
I mean.)
The beginning of “MAKHKHAN
MALAI” sounds exactly like “Dhinka chika”. (Is it only me who feels so?)
Sung by a singer called Dilbahaar, this song is a fast paced
number which is a delightful listen. The way the music is arranged plus the
singing are very good. Not the best song of the album, but definitely very
good. Expect a really “Dhamaal” picturization of this song.
“FARUKHA BAADI” starts
off in that typical Punjabi style – where we hear the chorus of many women and
girls laughing and unnecessarily giggling. And then we have that female chorus
of baari barsi. Just when I was going to skip it thinking it to be another
routine yawn Punjabi wedding number, the female chorus sings “FO” and “Teri maa
behen ki kar doon main jai jai abhi”, and I was like what was THAT?
With weird background sounds like that of something being deep
– fried in oil, this one has Labh Janjua doing the singing. He sings it in true
Punjabi style, making this another enjoyable listen. Had it not been for the
arrangements and lyrics, it would have become another mediocre punju gaana.
Thankfully AT salvages this one, and HOW!
“KIKLIKALERDI” appears
in a Punjabi version which has different lyrics in the same tune. Yo yo honey
singh’s rap portion is better than the hindi version, although it is devoid of
those “Suraksha saavdhhani” lyrics. It is difficult to actually tell which
version is better. Each one will have its own takers.
Finally we have the “LUV
SHUV TEY CHICKEN KHURANA THEME” by Tapas roy. And this one is a beauty. With the lovely
sounding iktara, amit trivedi composes an instrumental tune not resembling any
of the songs in the album. It is soothing and very nice. A perfect finish to
the album.
In a nutshell, the lyricist Shelley and composer amit
produce something that breaks all borders of creativity. The album is
outrageous and weird. Amit includes small things in his music which you can
never imagine. It is very very different. There are places where you will
actually marvel at the sheer audacity of the composer – lyricist duo.
OVERALL, he does
it again! AT proves why he is among the finest composers today. He adds one
more feather in his cap this year continuing his golden run this year. This one
is nothing short of a masterpiece from him. HIGHLY RECOMMENDED!
MY VERDICT – 8.5 / 10
The album is fantastic! Innovative, creative and punjabi to the core.....luni hasi,kilikalerdi,title track and farukha badi are gems.....The very fact that im listening to this album more over Jab tak Hain Jaan speaks for itself! :-D
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